If you’ve gone through our November 2, 2013 Stoneware & Redware Auction catalog, you might have seen a couple of references to museum pieces and how they relate to two examples of early Manhattan stoneware we are offering this time around:
An outstanding Thomas Commeraw jar from his early period of production (during which he was incising his work with elaborate designs as opposed to his later stamped decorations) is closely related to an example currently in the collection of the Smithsonian. You can view that Smithsonian example by clicking here. I was, needless to say, very happy to receive this for our Fall sale, and that particular group of Commeraw’s stoneware (bearing, I might add, one of the earliest documented maker’s marks ever employed on American stoneware) is perhaps my absolute favorite of all American pottery.
An important New York City jug belongs to a group of stoneware by a mysterious maker, responsible for what is considered one of the very greatest examples of American stoneware, the “Elizabeth Crane” punch bowl currently on display at the Met (part of the collection of American Folk Art Museum). You can view that punchbowl here. The interior features a great incised and cobalt-highlight fish, and if you own Georgianna Greer’s American Stonewares, you can see a photo of the fish there. This bowl has been attributed to the shop of John Crolius, Jr. If you don’t know much about early Manhattan stoneware, some of the following may be a little “inside baseball,” but if you are interested in this sort of thing, feel free to read on:
John Crolius, Jr. was the older brother of who may be the most famous American stoneware potter of all, Clarkson Crolius. Clarkson would eventually take over his father’s shop, which was apparently the very same pottery established by his grandfather, William Crolius [the 1st], who had emigrated from Germany circa 1720. During the Revolutionary period, John, Jr. would inherit the shop of his uncle, William Crolius [the 2nd], which was basically located down the block from his father’s / Clarkson’s shop. John, Jr.’s manufactory operated for many years (and this is not an indictment at all of whoever performed that initial attribution of the punch bowl decades ago; he or she could be correct) but there is a problem with that attribution–there are no signed extant examples from John Jr.’s shop to use as a basis for an attribution. There is a larger body of work known for the maker of the punchbowl and the jug, and determining who that maker was is of extreme interest to me. Hopefully we are able to get to the bottom of it before too long!
Anyway, I just thought it would be fun to share links to the museum pieces we referenced in the catalog, and put these two examples of Manhattan stoneware into a better context.
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