Some Quick Notes About New York City Stoneware in Our 11/2/2013 Auction

If you’ve gone through our November 2, 2013 Stoneware & Redware Auction catalog, you might have seen a couple of references to museum pieces and how they relate to two examples of early Manhattan stoneware we are offering this time around:

Lot 8 in our 11/2/2013 Stoneware & Redware Auction, an early Thomas Commeraw jar--related to an example at the Smithsonian.
An outstanding Thomas Commeraw jar from his early period of production (during which he was incising his work with elaborate designs as opposed to his later stamped decorations) is closely related to an example currently in the collection of the Smithsonian. You can view that Smithsonian example by clicking here. I was, needless to say, very happy to receive this for our Fall sale, and that particular group of Commeraw’s stoneware (bearing, I might add, one of the earliest documented maker’s marks ever employed on American stoneware) is perhaps my absolute favorite of all American pottery.

Lot 12 in our 11/2/2013 auction: A jug made by a mystery potter, related to one of the greatest surviving stoneware vessels, currently at The Met.
An important New York City jug belongs to a group of stoneware by a mysterious maker, responsible for what is considered one of the very greatest examples of American stoneware, the “Elizabeth Crane” punch bowl currently on display at the Met (part of the collection of American Folk Art Museum). You can view that punchbowl here. The interior features a great incised and cobalt-highlight fish, and if you own Georgianna Greer’s American Stonewares, you can see a photo of the fish there. This bowl has been attributed to the shop of John Crolius, Jr. If you don’t know much about early Manhattan stoneware, some of the following may be a little “inside baseball,” but if you are interested in this sort of thing, feel free to read on:

John Crolius, Jr. was the older brother of who may be the most famous American stoneware potter of all, Clarkson Crolius. Clarkson would eventually take over his father’s shop, which was apparently the very same pottery established by his grandfather, William Crolius [the 1st], who had emigrated from Germany circa 1720. During the Revolutionary period, John, Jr. would inherit the shop of his uncle, William Crolius [the 2nd], which was basically located down the block from his father’s / Clarkson’s shop. John, Jr.’s manufactory operated for many years (and this is not an indictment at all of whoever performed that initial attribution of the punch bowl decades ago; he or she could be correct) but there is a problem with that attribution–there are no signed extant examples from John Jr.’s shop to use as a basis for an attribution. There is a larger body of work known for the maker of the punchbowl and the jug, and determining who that maker was is of extreme interest to me. Hopefully we are able to get to the bottom of it before too long!

Anyway, I just thought it would be fun to share links to the museum pieces we referenced in the catalog, and put these two examples of Manhattan stoneware into a better context.



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Two April 2013 Stoneware Lectures

April 14, Harrisburg, PA: Harrisburg and Central PA Stoneware. April 27, Old Greenwich, CT: Manhattan Stoneware, 1795-1820.
Mark, Luke, and I will be giving a couple of stoneware lectures to be held next month:

On Sunday, April 14, at 2:30pm, Luke and I will be giving a new talk, Excellent Ware: The Harrisburg Stoneware Potters and Their Contemporaries, at the Historical Society of Dauphin County in Harrisburg, Pennsylvania. Afterwards we will be holding an appraisal event, during which we will evaluate attendees’ stoneware and redware. Admission is by donation at the door, but is free to members. The HSDC will also be charging a small fee for appraisals to help support their important organization. For more information, please visit the HSDC website, or call 717-233-3462.

On Saturday, April 27, at 2pm, Mark and I will again be delivering our lecture, Manhattan Stoneware, 1795-1820, as a special program during the Westchester Glass Show in Old Greenwich, Connecticut (at the Greenwich Civic Center). A well-respected event, the Westchester Glass Show is for the very first time encouraging exhibitors to offer ceramics for sale, as well, so this should be a fun time for stoneware collectors. Our talk will be essentially the same one we gave at the Gunn Memorial Library and Museum back in October, so if you missed that event, this is an opportunity to get an incisive look at the big three Manhattan stoneware makers–Clarkson Crolius, John Remmey III and Thomas Commeraw–as well as the former Manhattan potter who completely revolutionized Mid-Atlantic stoneware production–Henry Remmey, Sr. Our talk is free with admission to the show ($7). Here’s a link to a show circular with the important details.

We have really enjoyed sharing our love of this great American art form with you, and look forward to doing so many times this year!



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